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Color Correction Handbook
Color Correction Handbook 作者: Alexis Van Hurkman
出版社: Peachpit Press
副标题: Professional Techniques for Video and Cinema
出版年: 2010-11-25
页数: 552
定价: USD 64.99
装帧: Paperback
ISBN: 9780321713117
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The colorist working in film and video is the individual responsible for breathing life into characters, bringing a mood into a scene, and making the final product polished and professional-looking. This craft is an art form that often takes years to perfect and many trial-and-error attempts at getting it right. Here to help both the newcomer and professional who needs to brush up on their skills is the first book to cover a wide variety of techniques that can be used by colorists, no matter what system they're using. Whether you're using a video editing package with a color correction tool built in (Final Cut Pro, Premiere Pro) of a dedicated application (Apple Color, Assimilate Scratch, Baselight, or DaVinci), this book covers it all. From the most basic methods for evaluating and correcting an overall image, to the most advanced targeted corrections and creative stylizations typically employed, you'll find this highly organized book a solid reference that's easy to navigate. The accompanying DVD contains footage as well as cross-platform exercises and project files for readers to experiment with. After reading the techniques, readers will learn to apply the methods that all of the color correction applications use, how to problem-solve and trouble-shoot, how to maximize the effectiveness of each tool that's available, and they will discover how to creatively combine techniques and tools to accomplish the types of stylizations that colorists are often called upon to create. Praise for Color Correction Handbook: From Alexis Van Hurkman comes an up-to-date, most welcome, encyclopedic guide for colorists: Color CorrectionHandbook (Professional Techniques for Video and Cinema). The breadth of this work is almost impossibly ambitious: Van Hurkman embraces all the important topics, and the liberal use of illustrated examples, with accompanying waveforms and solutions from various platforms, succeeds in providing a single reference work for the colorist at almost any level of expertise...Colorists will find gaps in their knowledge are as well-served by this book as the aspiring colorist already under the tutelage of a master. Ron Lingelbach Colorist, Dolby Laboratories; Founder, TKcolorist Internet Group (TIG) Color correction is a complex and subtle craft. The student needs to sit next to professionals on a real jobs, and ask them continuously what they just did, and why they did it. The professional rarely has the time and the patience to answer newbie questions, and the earnest scholar quickly ends up outside the grading suite, wondering sadly whether there was an easier road to knowledge. Now, at last, there may be. Alex Van Hurkman's book comes with a DVD of example material you can load onto your color grading workstation. It covers many useful real examples, explaining what you might do to make the images look better, what is the easiest way to do it on any of the popular platforms, and even how to explain what you are doing to others. If you want to learn color correction, this book will make a difference. Dr Richard Kirk Colour Scientist, FilmLight Ltd Recipient of 2010 AMPAS Scientific and Engineering Award Van Hurkman covers the theory and the practical application of color-correction very well...it's always good to understand the theory of *why* the image looks good or bad and how it relates to photography, electronics, and physics. I have no doubt Van Hurkman's book is as close as we're going to get to a standard textbook for the world of color correction. If nothing else, I think it communicates the idea to neophyte filmmakers that there's far more to color-correction than just having the software or the box. It's *experience* that makes good color -- not the system. Highly recommended. --Marc Wielage/Senior Colorist Lowry Digital/Burbank
调色师在电影和电视的工作是为特征的呼吸生活的个人责任,使情绪在一个场景,并使最终产品抛光和专业。该工艺是一种艺术形式,往往需要多年来不断完善和许多试验和错误,在得到它的权利的尝试。在这里帮助新人和专业谁需要刷了他们的技能是涵盖多种技术,可用于染色的第一本书,无论他们使用什么系统。不管你是使用视频和内置的色彩校正工具编辑软件(Final Cut Pro,Premiere Pro)的专用的应用程序(苹果的颜色,同化划痕,baselight,或达芬奇),这本书涵盖了所有的一切。从评价、修正整体形象的最基本的方法,最先进的有针对性的改正和创作风格通常采用的,你会发现这个高度组织化的书一个坚实的参考,方便浏览。随附的dvd包含镜头以及读者尝试跨平台的练习和项目文件。在阅读技巧,读者将学习如何运用所有的色彩校正程序使用的方法,如何解决问题和解决问题,如何最大限度地发挥每个工具的有效性是可能的,他们会发现如何创造性地将技术和工具来实现风格化的类型,通常被称为染色创建。颜色校正手册赞美:亚历克西斯Van hurkman是最新,最受欢迎的,为colorists百科指南:彩色correctionhandbook(视频和电影专业技术)。这项工作的广度几乎是不可能的:范hurkman包含所有重要的话题,并举例说明自由使用,伴随的波形和从不同的平台解决方案,成功地提供一个参考的工作,在几乎任何级别的专业知识,……调色师将他们的知识查找差距是好的本书为有抱负的画家已经大师的指导下。罗恩林格尔巴克调色,杜比实验室;创始人,tkcolorist互联网集团(TIG)颜色校正是一个复杂而微妙的工艺。学生需要坐在一个真正的工作人员,问他们什么他们只是不断,以及他们为什么那么做。专业的很少有时间和耐心的回答新手的问题,并认真的学者很快结束了在分级套房,想知道是否有一个更可悲的是知识之路。现在,最后,可能会有。亚历克斯van hurkman的书附带dvd的例子材料可以加载到你的颜色分级工作站。它涵盖了许多有用的实例,解释你可能会使图像看起来更好,做它在任何流行的平台,最简单的方法是什么,甚至如何解释你正在做什么的人。如果你想学习色彩校正,这本书将会改变。李察博士柯克颜色科学家,2010次获得美国filmlight公司科学与工程奖范hurkman覆盖和色彩校正的很好……实际应用的理论理解的*为什么*图像看起来好或坏,它涉及到摄影,电子理论总是好的,和物理。我毫不怀疑范hurkman的书是尽我们要为世界的标准教科书的色彩校正。如果没有其他的事,我想它传达的想法新电影,还有色彩校正不仅仅是有软件或箱更。这是*经验*使良好的颜色——不是系统。强烈推荐。——马克wielage /高级调色师劳里数字/伯班克
这是国外调色师的一本宝典,懂的人都知道不多说,特想约人翻译,有多少人有此意向。
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